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Change detection in multi-voice music: the role of musical structure, musical training, and task demands.
J Exp Psychol Hum Percept Perform. 2002 Apr; 28(2):367-78.JE

Abstract

This study evaluated the relationship between primitive and scheme-driven grouping (A. S. Bregman, 1990) by comparing the ability of different listeners to detect single note changes in 3-voice musical compositions. Primitive grouping was manipulated by the use of 2 distinctly different compositional styles (homophony and polyphony). The effects of scheme-driven processes were tested by comparing performance of 2 groups of listeners (musicians and nonmusicians) and by varying task demands (integrative and selective listening). Following previous studies, which had tested only musically trained participants, several variables were manipulated within each compositional style. The results indicated that, although musicians demonstrated a higher sensitivity to changes than did nonmusicians, the 2 groups exhibited similar patterns of sensitivity under a variety of conditions.

Authors+Show Affiliations

Department of Psychology, Marywood University, Scranton, Pennsylvania, USA. crawley@ac.marywood.eduNo affiliation info availableNo affiliation info availableNo affiliation info available

Pub Type(s)

Comparative Study
Journal Article
Research Support, U.S. Gov't, Non-P.H.S.

Language

eng

PubMed ID

11999860

Citation

Crawley, Edward J., et al. "Change Detection in Multi-voice Music: the Role of Musical Structure, Musical Training, and Task Demands." Journal of Experimental Psychology. Human Perception and Performance, vol. 28, no. 2, 2002, pp. 367-78.
Crawley EJ, Acker-Mills BE, Pastore RE, et al. Change detection in multi-voice music: the role of musical structure, musical training, and task demands. J Exp Psychol Hum Percept Perform. 2002;28(2):367-78.
Crawley, E. J., Acker-Mills, B. E., Pastore, R. E., & Weil, S. (2002). Change detection in multi-voice music: the role of musical structure, musical training, and task demands. Journal of Experimental Psychology. Human Perception and Performance, 28(2), 367-78.
Crawley EJ, et al. Change Detection in Multi-voice Music: the Role of Musical Structure, Musical Training, and Task Demands. J Exp Psychol Hum Percept Perform. 2002;28(2):367-78. PubMed PMID: 11999860.
* Article titles in AMA citation format should be in sentence-case
TY - JOUR T1 - Change detection in multi-voice music: the role of musical structure, musical training, and task demands. AU - Crawley,Edward J, AU - Acker-Mills,Barbara E, AU - Pastore,Richard E, AU - Weil,Shawn, PY - 2002/5/10/pubmed PY - 2003/1/25/medline PY - 2002/5/10/entrez SP - 367 EP - 78 JF - Journal of experimental psychology. Human perception and performance JO - J Exp Psychol Hum Percept Perform VL - 28 IS - 2 N2 - This study evaluated the relationship between primitive and scheme-driven grouping (A. S. Bregman, 1990) by comparing the ability of different listeners to detect single note changes in 3-voice musical compositions. Primitive grouping was manipulated by the use of 2 distinctly different compositional styles (homophony and polyphony). The effects of scheme-driven processes were tested by comparing performance of 2 groups of listeners (musicians and nonmusicians) and by varying task demands (integrative and selective listening). Following previous studies, which had tested only musically trained participants, several variables were manipulated within each compositional style. The results indicated that, although musicians demonstrated a higher sensitivity to changes than did nonmusicians, the 2 groups exhibited similar patterns of sensitivity under a variety of conditions. SN - 0096-1523 UR - https://www.unboundmedicine.com/medline/citation/11999860/Change_detection_in_multi_voice_music:_the_role_of_musical_structure_musical_training_and_task_demands_ L2 - http://content.apa.org/journals/xhp/28/2/367 DB - PRIME DP - Unbound Medicine ER -