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DaVinci's Mona Lisa entering the next dimension.
Perception. 2013; 42(8):887-93.P

Abstract

For several of Leonardo da Vinci's paintings, such as The Virgin and Child with St Anne or the Mona Lisa, there exist copies produced by his own studio. In case of the Mona Lisa, a quite exceptional, rediscovered studio copy was presented to the public in 2012 by the Prado Museum in Madrid. Not only does it mirror its famous counterpart superficially; it also features the very same corrections to the lower layers, which indicates that da Vinci and the 'copyist' must have elaborated their panels simultaneously. On the basis of subjective (thirty-two participants estimated painter-model constellations) as well as objective data (analysis of trajectories between landmarks of both paintings), we revealed that both versions differ slightly in perspective. We reconstructed the original studio setting and found evidence that the disparity between both paintings mimics human binocular disparity. This points to the possibility that the two Giocondas together might represent the first stereoscopic image in world history.

Authors+Show Affiliations

Department of General Psychology and Methodology, University of Bamberg, Markusplatz 3, D-96047 Bamberg, Germany ccc@experimental-psychology.comNo affiliation info available

Pub Type(s)

Comparative Study
Historical Article
Journal Article

Language

eng

PubMed ID

24303752

Citation

Carbon, Claus-Christian, and Vera M. Hesslinger. "DaVinci's Mona Lisa Entering the Next Dimension." Perception, vol. 42, no. 8, 2013, pp. 887-93.
Carbon CC, Hesslinger VM. DaVinci's Mona Lisa entering the next dimension. Perception. 2013;42(8):887-93.
Carbon, C. C., & Hesslinger, V. M. (2013). DaVinci's Mona Lisa entering the next dimension. Perception, 42(8), 887-93.
Carbon CC, Hesslinger VM. DaVinci's Mona Lisa Entering the Next Dimension. Perception. 2013;42(8):887-93. PubMed PMID: 24303752.
* Article titles in AMA citation format should be in sentence-case
TY - JOUR T1 - DaVinci's Mona Lisa entering the next dimension. AU - Carbon,Claus-Christian, AU - Hesslinger,Vera M, PY - 2013/12/6/entrez PY - 2013/12/7/pubmed PY - 2014/1/10/medline SP - 887 EP - 93 JF - Perception JO - Perception VL - 42 IS - 8 N2 - For several of Leonardo da Vinci's paintings, such as The Virgin and Child with St Anne or the Mona Lisa, there exist copies produced by his own studio. In case of the Mona Lisa, a quite exceptional, rediscovered studio copy was presented to the public in 2012 by the Prado Museum in Madrid. Not only does it mirror its famous counterpart superficially; it also features the very same corrections to the lower layers, which indicates that da Vinci and the 'copyist' must have elaborated their panels simultaneously. On the basis of subjective (thirty-two participants estimated painter-model constellations) as well as objective data (analysis of trajectories between landmarks of both paintings), we revealed that both versions differ slightly in perspective. We reconstructed the original studio setting and found evidence that the disparity between both paintings mimics human binocular disparity. This points to the possibility that the two Giocondas together might represent the first stereoscopic image in world history. SN - 0301-0066 UR - https://www.unboundmedicine.com/medline/citation/24303752/DaVinci's_Mona_Lisa_entering_the_next_dimension_ DB - PRIME DP - Unbound Medicine ER -